Wednesday, January 16, 2019

Examining Deaths in Star Wars

I've seen some posts talking about writing death scenes. Some tips sound good like, go ahead if it advances the plot or motivates others. These are good things to keep in mind, but I think perhaps most important is this: the death needs to have the emotional weight corresponding to the audience's investment in the character. To explore this idea, let's look at some deaths in Star Wars. Good and Bad ones. (Obviously spoiler alert for various Star Wars movies) Let's start with a good example. What was our investment in Obi-Wan Kenobi in the original Star Wars movie? When he dies, Luke shouts out "No!" which was an appropriate response for him. However, the audience's reaction was not like Luke's in this scene. Instead, we are more like Darth Vader because our investment in Obi-Wan was in his mystery. His death scene corresponds perfectly to this investment as not only are his final words mysterious, but then he disappears! Darth Vader is confused like we are. This is further reinforced when we hear Obi-Wan speak to Luke in the final scenes. To be fair, if we watched the prequel trilogy first, we might have different emotions, but for storytelling, the way it was done in the original movie was good. Now let's compare with a bad example. Han Solo in The Force Awakens. What is our investment of the character? Not that of a father, and the movie does nothing to seriously reconcile that issue as it tries to make him a mentor instead. However, we were already heavily invested in him as a war hero and a friend. It would be more fitting for him to go down either in a ship in action, or as someone saving someone we know he is close to. Since there was no investment in the relationship with his son, his death did not carry the right weight. Even if it was saving Rey or Finn, that would have worked. But for him to try to emotionally save his son that he spent no time with on screen? No. And it did not help that his death was telegraphed for so long, filling the audience more with dread than with the proper emotion. Finally, let's look at Luke in The Last Jedi. This one the audience probably expected due to The Force Awakens, but it was beautifully done. Sure, we would have liked to see Luke be an epic action star, but what was our real investment in the character both throughout the series and in the movie? He was not a great lightsaber duelist but more like a pacifist. Instead we wanted to see him restore the Jedi order. While we did not see that directly, we see him show off an awesome new force technique and restore hope. Not only that, but his death scene mirrors one of the first scenes we see him in, including the beautiful music. We see him in peace after seeing him suffer for so long. Finally, he vanishes like his mentor (Did you notice the lightsaber strike being roughly the same position as well?). While we would have liked to see more from him alive, his death as a Jedi was perfectly fitting. I hope that helps with better understanding how to write good death scenes. It has at least helped me finally understand why I hated The Force Awakens death scene but loved The Last Jedi's ending. It also has provided me some new things to seriously consider when writing the death scenes for Neostriker. J. D. Nyle

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